Located at Here East in London's Queen Elizabeth Olympic Park, the V&A Storehouse will reinvent the idea of museum archives and storage. With a design led by Diller Scofidio + Renfro (and supported by Austin-Smith:Lord), the Storehouse will bring treasures out of storage and into public view for the first time in generations.
The centre will be a purpose-built home for 250,000 objects, 350,000 books and 1,000 archives from the V&A’s collection of fashion, textiles, furniture, theater and performance, metalwork, ceramics, glass, sculpture, architecture, paintings and product design. Visitors will be invited on a behind-the-scenes journey that uncovers and demonstrates how and why objects are collected, how they are cared for, conserved and researched and how they help make sense of our past, present and future as part of exhibitions and public programmes.
A central public collection hall will turn the storage inside out. A rich array of objects will be on display for visitors to explore – from some of the smallest curiosities in the collection to the largest and most significant rooms and building fragments. Highlights will include Frank Lloyd Wright’s 1930s office for Edgar J Kaufmann Jr. – a unique and complete 20th-century plywood interior – and a 15th-century marquetry ceiling from the now destroyed Altamira Palace near Toledo, Spain, which will be resurrected within the centre as a real architectural element above a new public space for displays and events.
Further spaces within the Centre will host pop-up displays, workshops, performances and screenings alongside live encounters with the museum’s work – from conservation and research to exhibition preparation. This new model builds on the continued success of The Clothworkers’ Centre for the Study and Conservation of Textiles and Fashion located at Blythe House in West London where the V&A’s collection is currently stored.
A dedicated viewing gallery will be created to showcase a changing display of rarely-seen large rolled objects from the V&A’s extraordinary collection of theater stage cloths, carpets, textiles, tapestries and paintings, including a 15-meter-wide theatrical backcloth designed by Natalia Goncharova for the 1926 Ballets Russes London production of Stravinsky’s Firebird.
The V&A Storehouse will open in 2024 as part of East Bank, a new powerhouse of culture, education, innovation and growth taking shape in the Queen Elizabeth Olympic Park as part of the London 2012 Olympic legacy.
|Client||The Victoria and Albert Museum||Size (GSF)||161459|
|Location Queen Elizabeth Olympic Park, London, United Kingdom|
|Partners||Elizabeth Diller,Ricardo Scofidio,Benjamin Gilmartin,and Charles Renfro|
|Core Team||David Allin,Bryce Suite,Anthony Saby,Kevin Baker,Mark Gettys,and Bo Liu|
|Competition Team||Merica May Jensen,Jack Solomon,Bryce Suite,Swarnabh Ghosh,Kumar Atre,Jedidiah Lau,Andreas Kostopoulos,Benjamin Vanmuysen,Eric Hsu,and Yushiro Okamoto|
|Arup UK||Engineering (Structures and Services)|
|Orsa||Principal Design Advisers|
|Gardiner & Theobald||Cost Consultant|
|Studio Gardere||Exhibition Consultant (Competition Phase)|
A unique museum experience: inside the V&A East project with Tim Reeve & Gus Casely-Hayford
The Art Newspaper 11/01/2018
Tristram Hunt unveils plans for V&A East—the Victoria & Albert Museum's satellite London location